SARA TRAWÖGER
Voided
When there are no more words, music remains.
In 'Voided,' the absence of spoken words is a deliberate choice, making room for a different kind of language - one woven from sounds and scapes. This sonic language becomes a means to convey emotions. The project's exploration of emptiness, loud silence, and quiet saturation mirrors the multifaceted nature of language and its role in our expressive palette, aligning seamlessly with the themes of the Language Machine exhibition.
“When there are no more words, music remains. The sounds and scapes I create are the language with which I can express my feelings when words are missing or cannot be found. "Voided" cuts the overstimulation, is empty of spoken text but full of stories, loud in silence and quiet in saturation, opens wide in a second and then narrows again, but over time soaks the listener step by step into emptiness”, - Sara Trawöger.
‘Voided' cuts the overstimulation, is empty of spoken text but full of stories
Sara Trawöger, born in 1992 in Linz, Upper Austria, completed her bachelor's degree in theater, film and media studies in Vienna in 2015 and is now studying for a master's degree in applied theater studies in Giessen (Hesse) and a master's degree in time-based media at the University of Art and Design Linz. Her artistic work ranges from photography and sound design to installation and performance. Influenced by feminist, socio-critical and identity-critical debates, she works on the essence of human existence. She was the drummer in the band LA SABOTAGE and has been performing with her electronic solo project ABRUPT since 2019. In 2021, her music-performance-film SIE LEIDEN LIEBER STUMM premiered at Künstler*innenhaus Mousonturm (Frankfurt am Main, Hesse). In the same year, as part of the #TakeCare residency (at Theater neben dem Turm, Marburg, Germany), she explores the sound of sirens, that sound once a week in a test run in her home country, in VERDACHTSFLÄCHE ALTLAST. With this work, she critically examines the sediments of history and how historical traces have been preserved in acoustic signals in everyday noise levels. Trawöger is currently working as a sound artist for various international theater projects and on her first experimental film.